these were designed to translate two photographic images into typographical representations, using semiotics, research, color and composition studies. One photograph was chosen from a photographer mentioned in Susan Sontag's novel On Photography and another from a contemporary photographer, from which they were analyzed to find similarities.
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Henri Cartier Bresson,
Allees du Prado, Marseille 1934
Font: Stempel Garamond
William Eggleston,
Memphis 1969-1970
Font: Trade Gothic
